Featured Project Practice About Approach Contact Read Interstice →

The Ananke Projects

Because Art Must ...

Image credit: Tebo Pixels

Our Areas of Practice

Publishing

Journals and editorial projects through Ananke Editions.

Curating

Exhibitions and encounters between artwork, audience and place.

Visual Culture

Photography, archives and image-making.

About Us

Conviction, necessity, an open-ended artistic philosophy

Ananke Projects takes its name from Anankē, the ancient Greek personification of necessity, inevitability and the forces that shape existence.

Ananke Projects is a young, independent cultural initiative with curatorial practice, publishing, visual culture, cultural research and community-oriented cultural programming at the core of its function.

We exist in response to a simple conviction: that the arts and culture are not peripheral to how societies understand themselves. They are among the ways we remember, question, imagine, negotiate and evolve.

For us, our name speaks to an understanding of art and culture as necessary spaces for thought, encounter and possibility.

Ananke is interested in the spaces where disciplines, histories, people and ideas meet: in the thin lines between memory, remembering, inheritance and reinvention, archive, absence, individual experience and collective history, local knowledge, global circulation, the finished and the unfinished.

We are dedicated to developing artistic and cultural projects that interrogate histories, unsettle conventions and expand the possibilities of cultural expression.

Founder

Seyram Liquenda Klu De-Souza
Seyram Liquenda Klu De-Souza

Seyram is a cultural strategist, creative writer and researcher who specializes in arts management, curatorial practice, and cultural diplomacy.

Connect on LinkedIn

Our Approach

Curious

We begin with questions. We are interested in subjects that resist immediate answers and practices that encourage us to look again.

Collaborative

We believe cultural work becomes richer through exchange. Artists, writers, researchers, communities, audiences and institutions can all contribute knowledge.

Reflective

We are interested in what cultural work produces as well as in the processes behind it.

Contextual

Culture does not exist in isolation. We pay attention to history, geography, memory, politics, social realities and the contexts from which cultural practices emerge.

Experimental

Not every meaningful idea arrives in a familiar format. We remain open to unconventional forms, interdisciplinary projects and practices still finding their language.

Emergent

We are particularly interested in practices that are still developing. Emergence, we believe is not something to apologise for. It rather is a creative condition.